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Find any Chord Scale
Mode or Harmony
NOTE: The interactive Guitar and Keyboard and other Slide Rules do not play music. They are an educational tool for learning and enabling, not for entertainment
By viewing the Scales Modes and or Chord Formulas shown you can plot out any Scale, Mode or Chord in any key for guitar or keyboard
Note: Full version Slide Rules for Guitar Keyboard and other instruments are available Here
NOTE: The interactive Guitar and Keyboard and other Slide Rules do not play music. They are an educational tool for learning and enabling, not for entertainment
Scale & Mode Names.
The Major Scale & it's Modes.
Major. 1st Mode. ( Ionian Mode.) =1. 2. 3. 4. 5. 6. 7. 1.
2nd. Mode. ( Dorian Mode.) =1. 2. b3. 4. 5. 6. b7. 1.
3rd. Mode. ( Phrygian Mode.) =1. b2. b3. 4. 5. b6. b7. 1.
4th. Mode. ( Lydian Mode.) =1. 2. 3. #4. 5. 6. 7. 1.
5th. Mode. ( Mixolydian Mode.) =1. 2. 3. 4. 5. 6. b7. 1.
6th. Mode. Natural Minor. (Aolian Mode.) =1. 2. b3. 4. 5. b6. b7. 1.
7th. Mode. ( Locrian Mode.) =1. b2. b3. 4. b5. b6. b7. 1.
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Harmonic Minor Scale
Harmonic Minor. =1. 2. b3. 4. 5. b6. 7. 1.
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Melodic Minor Scale. ( Ascending.) *
*NOTE: When descending the Natural minor scale is used.
Melodic Minor. =1. 2. b3. 4. 5. 6. 7. 1.
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Jazz Minor Scale. The Jazz Minor scale & the modes generated by the Jazz Minor scale are the same as the Melodic Minor Scale both ascending & descending.
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Melodic Minor. Ascending. =1. 2. b3. 4. 5. 6. 7. 1.
Descending. =1. 2. b3. 4. 5. b6. b7. 1.
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Blues Scale. =1. b3. 4. #4. 5. b7. 1.
Major Pentatonic. =1. 2. 3. 5. 6. 1.
Minor Pentatonic. =1. b3. 4. 5. b7. 1.
Whole Tone Scale. =1. 2. 3. #4. #5. #6. 1.
Whole Step Half Step Diminished Scale. =1. 2. b3. 4. #4. #5. 6. 7.
Half Step Whole Step Diminished Scale. =1. #1. #2. 3. #4. 5. 6. b7.
Diminished Scale =1. 2. b3. 4. b5. #5. 6. 7.
Augmented Scale. =1. b3. 3. 5. #5. 7. 1.
Enigmatic Scale. =1. b2. 3. #4. #5. #6. 7. 1.
Neapolitan Major Scale. =1. b2. b3. 4. 5. 6. 7. 1.
Neapolitan Minor Scale. =1. b2. b3. 4. 5. b6. 7. 1.
Lydian Minor Scale. =1. 2. 3. #4. 5. b6. b7. 1.
Byzantine Scale. =1. b2. 3. 4. 5. b6. 7. 1.
Hungarian Major Scale. =1. #2. 3. #4. 5. 6. b7. 1.
Hungarian Minor Scale. =1. 2. b3. #4. 5. b6. 7. 1.
Arabian Scale. =1. 2. 3. 4. b5. b6. b7. 1.
Spanish Eight Tone Scale. =1. b2. b3. 3. 4. b5. b6. b7.
Spanish Scale. =1. b2. 3. 4. 5. b6. b7. 1.
Mongolian Scale. =1. 2. 3. 5. 6. 1.
Balinese Scale. =1. b2. b3. 5. b6. 1.
Oriental Scale. =1. b2. 3. 4. b5. 6. b7. 1.
Egyptian Scale. =1. 2. 4. 5. b7. 1.
Double Harmonic Scale. =1. b2. 3. 4. 5. b6. 7. 1.
Hindu Scale. =1. 2. 3. 4. 5. b6. b7. 1.
Major Locrian. =1. 2. 3. 4. b5. b6. b7. 1.
Japanese Scale. =1. b2. 4. 5. b6. 1.
Hungarian Gypsy Scale. =1. 2. b3. #4. 5. b6. b7. 1.
Gypsy Scale. =1. b2. 3. 4. 5. b6. 7. 1.
Chords
Scale and Modes
Formulas
SOME CHORD SYMBOLS AND FORMULA CHART.
CHORD NAME SYMBOL/S. CHORD FORMULAS.
MAJOR. Maj. M. =1. 3. 5.
MINOR. min. m. -
SEVENTH. 7. 7th. =1. 3. 5. b7.
MINOR SEVENTH. m7. min7. -
MINOR SEVEN FLAT FIVE. min7 b5. ( Half diminished 7th.) =1. b3. b5. b7.
SIXTH ( MAJOR 6 ) 6. M6. =1. 3. 5. 6.
MINOR SIXTH. m6. =1. b3. 5. 6.
MAJOR SEVENTH. M7. =1. 3. 5. 7.
AUGMENTED. Aug. +. +5. #5. =1. 3. #5.
DIMINISHED SEVENTH. *** Dim. Dim7. O. =1. b3. b5. bb7. ( bb7 = 6.)
DIMINISHED. *** Dim. =1. b3. b5.
MAJOR FLAT FIVE. b5. dim 5th. =1. 3. b5.
SEVENTH AUGMENTED FITH. 7#5. 7+5. 7+. =1. 3. #5. b7.
SEVENTH FLAT FIVE. 7b5. 7-
SEVEN SHARP 5 FLAT 9. 7#5b9. 7+5-
NINTH. 9 =1. 3. 5. b7. 9. (9=2)
MAJOR NINTH. M9. =1. 3. 5. 7. 9. (9=2)
MAJOR ADD NINTH. Add 9. =1. 3. 5. 9. (9=2)
MINOR NINTH. m9. =1. b3. 5. b7. 9. (9=2)
SUSPENDED FOURTH. Sus 4. Sus. =1. 4. 5.
SUSPENDED SECOND. Sus 2. =1. 2. 5.
NINTH AUGMENTED FIFTH. 9#5. =1. 3. #5. b7. 9. (9=2)
SEVEN SUS FOUR. 7Sus4 =1. 4. 5. b7
SEVEN FLAT FIVE FLAT NINE. 7b5b9. =1. 3. b5. b7. b9. (b9=b2)
SIX ADD NINE. Maj 6 add 9. 6( 9 ). 6/9. =1. 3. 5. 6. 9. (9=2)
MINOR SIX ADD NINE. min 6 add 9. m6/9. =1. b3. 5. 6. 9. (9=2)
MINOR MAJOR SEVENTH. m/M7th. =1. b3. 5. 7.
SEVEN SHARP NINE. 7#9. 7+9. 7aug 9. =1. 3. 5. b7. #9. (#9=#2)
SEVEN FLAT NINE. 7b9. 7m9. 7-
NINE FLAT FIVE. 9b5. =1. 3. b5. b7. 9. (9=2)
ELEVENTH. 11 =1. 3. 5. b7. 9. 11. (9=2. 11=4)
THIRTEENTH. 13 =1. 3. 5. b7. 9. 11. 13. (9=2. 11=4. 13=6)
THIRTEEN FLAT NINE. 13b9. =1. 3. 5. b7. b9. 11. 13. (b9=b2. 11=4. 13=6)
THIRTEEN FLAT 5 FLAT 9. 13b5b9. =1. 3. b5. b7. b9. 11. 13.
(b9=b2. 11=4. 13=6)
MINOR THIRTEEN. m13. =1. b3. 5. b7. b9. 11. 13. (b9=b2. 11=4. 13=6)
All chords are related to the Major Scale.
e.g.1. The Dmajor chord uses the 1st. 3rd & 5th notes of the D Major Scale.
e.g.2. The Dminor chord uses the 1st. b3rd. & 5th notes of the D Major Scale.
e.g.3. The Csus chord uses the 1st. 4th. & 5th notes of the C Major
Chord Formulas
Scale and Modes Formulas
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Chord Book 1-
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Quick HELP
All chords are made up from notes of it’s Major Scale. Eg. C Major chord is 1-
The chord of C Major 7 is 1-
The chord of C Major 9 is 1-
NOTE: The 2nd note of any Major Scale can also be a 9th The 4th note of any Major Scale can also be an 11th And the 6th note of any Major Scale can be a 13th
The guitar neck program above and the slide rules show only the numbers 1 -
So now you see why the chord formula for a chord of
C Major 9 is 1-
The chord formula for a C 9 chord is
1-
See Diagrams below
C 9 (C Nine) Chord on Keyboard
C 9 (C Nine) Chord on Guitar
1-
Note: The Number 1 is over the note of C on the Bass string above the Keyboard, so the blue numbers show the C Major Scale all over the guitar neck
If you find all of this confusing you should talk to your music teacher
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